In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?

In terms of the staircase filling your entire field of vision, it is, for you at that moment, no matter where you look, omnipresent:

//
present in all places at all times //
the museum’s omnipresent security apparatus Of

course, this is relative. Nothing will always fill my eye with light. Distance makes an objective difference, in terms of location and time.

When you’re present at the staircase: The

omnipresent marble staircase towers before you, presenting its perfection.

Is there any way of saying ‘no’ to your perspective on things?